A lace pattern inspired by a dollar store tablecloth is the backdrop for Wheat’s vibrant window display. Images of present-day wares — wineglasses, fashionable boots and stiletto heels — overlay the display.
They are unlikely pairings.
Wheat, now a New York resident, said Pry the Lid Off is the latest development in a series of works devoted to 17th-century Dutch Golden Age masterpiece “The Milkmaid.”
Stylistically, nothing in the self-described maximalist painter’s exhibit resembles Johannes Vermeer’s classic oil painting. No one in Vermeer’s time marched around in pumps, yet each concept displayed examines some aspect of his work.
Additional Summer Wheat coverage:
Oklahoma Contemporary exhibit is inspired by Vermeer
Summer Wheat returns for homecoming exhibition at Oklahoma Contemporary
The City Sentinel