SHELTER

SHELTER

Lisa Karrer, detail, White Round Tents. Detail, White Round Tents, 2020. Ceramic forms with embedded audio narratives and video projection, 56 ½ x 80 x 44 in. (143.51 x 203.2 x 111.76 cm). Photo by Ann Sherman.. Photo by Ann Sherman.

Overview

SHELTER

April 25, 2024 - January 6, 2025

Mary LeFlore Clements Oklahoma Gallery

Admission is always free; tickets are not required

SHELTER by artist Lisa Karrer explored the experiences of displaced peoples seeking shelter in refugee communities across different parts of the world through oral interviews and video projections, displayed within miniature ceramic structures inspired by global refugee camps. SHELTER invited viewers to consider the ways in which displaced peoples find homes and communities in unfamiliar places.

Featuring discrete “Stations” of miniaturized ceramic tents, huts, and buildings, SHELTER comprised regionally specific dwellings inhabited by those seeking refuge in the face of displacement. Each Station contained an embedded audio soundtrack, featuring refugees speaking in their native language or in English, sharing narratives of their memories from home. Intimate video scenarios, portraying individuals and families going about their daily lives, were also projected onto the interior walls of the ceramic forms.

Originally mounted at the Burchfield Penney Art Center in Karrer’s hometown of Buffalo, New York, in 2020–2021, SHELTER illuminated the relationship between the city of Buffalo and its refugee organizations that help displaced peoples to resettle in local communities. Oklahoma Contemporary presented an iteration of the exhibition that was recontextualized for Oklahoma audiences, featuring audio and video recordings of residents in Oklahoma who experienced displacement and who, with generosity of spirit, gave voice to their respective trajectories.

The miniature ceramic structures—hand-built by Karrer in shapes informed by designs of actual shelters—appeared stark white, glazed, textured with stucco, or bearing the imprint of miniature graffiti. They stood whole or bombed out. And through the small windows and doors, one could view individuals or families engaged in quotidian activities—reading, drinking tea, looking after children—that represented the small units of time that build toward eroding what might be alienating or frightening when grappling with dislocation.

They bore witness to their own stories that spoke of loss and sorrows, of struggle and courage, of painful chapters and new beginnings. The invocation of memory captured not only the massive disruption that war, climate disaster, or extreme poverty can trigger but also the source from which refugees draw strength, the roadblocks or hostility they face along the way, and renewed faith in humanity, bolstered by the embrace of welcoming support systems in their new communities.

Karrer designed all the table mounts in collaboration with sculptor Bill Hochhausen, who oversaw their construction. The interviews conducted in Oklahoma were coordinated in partnership with The Spero Project, a local non-profit organization that welcomes resettled refugees in Oklahoma City, along with Asian District Cultural Association, Latino Community Development Agency, and Sooner Hope for Ukraine.

Presented in partnership with Asian District Cultural AssociationLatino Community Development AgencySooner Hope for Ukraine, and The Spero Project.

Watch the Artist Talk here

Learn about Colors of Freedom here. Presented in partnership with Sooner Hope for Ukraine.

SHELTER Programs

April 25 | Artist Talk
June 8 | Second Saturday and Zoom with Lisa Karrer
August 17 | Community Conversation: Housing Challenges and Opportunities
January 6 | Meet and Mingle with Lisa Karrer

About the Artist

Lisa Karrer headshot 2024.01.16
Photo of Lisa Karrer. Lisa Karrer. Photo courtesy of the artist.. courtesy of the artist.

This exhibition is presented by Kirkpatrick Family Fund, Allied Arts, and Oklahoma Arts Council.

This exhibition is also supported by George Records, The Kanady Family, Leslie and Cliff Hudson, Jodi and Ed Sanchez, Cindy and Lance Ruffel, Annie Bohanon, E.L. and Thelma Gaylord Foundation, the Chickasaw Nation, Inasmuch Foundation, Allied Arts, Oklahoma Arts Council, SSM Health, OG&E, Cox, Velocigo, and Anonymous.

Selected Artworks

Untitled 75 HDR Edit
Detail, Green Military Tents.
Untitled 279 2024 06 21 170033 tkat
White Round Tents.
Untitled 169 2024 06 21 165953 nhxf
Bombed-Out Buildings.
Untitled 527 2024 06 21 165854 zmgy
Floating Tent Tops.
Untitled 109 HDR
Detail, Pup Tents.
Untitled 361 2024 06 21 165612 dgni
White Industrial Tents.
Untitled 394 HDR
Lisa Karrer, Slum with Sewer.

Images

  • Lisa Karrer, detail, White Round Tents. Detail, White Round Tents, 2020. Ceramic forms with embedded audio narratives and video projection, 56 ½ x 80 x 44 in. (143.51 x 203.2 x 111.76 cm). Photo by Ann Sherman.. Photo by Ann Sherman.
  • Photo of Lisa Karrer. Lisa Karrer. Photo courtesy of the artist.. courtesy of the artist.
  • Detail, Green Military Tents. Detail, Green Military Tents, 2020. Ceramic forms with embedded audio narratives and video projection, 55 x 80 x 60 in. (139.7 x 203.2 x 152.4 cm). Photo by Ann Sherman.. Photo by Ann Sherman.
  • White Round Tents. White Round Tents, 2020. Ceramic forms with embedded audio narratives and video projection, 56 ½ x 80 x 44 in. (143.51 x 203.2 x 111.76 cm). Photo by Ann Sherman.. Photo by Ann Sherman.
  • Bombed-Out Buildings. Bombed-Out Buildings, 2020. Ceramic forms with embedded audio narratives and video projection, 62 ¼ x 60 x 60 in. (158.12 x 152.4 x 152.4 cm). Photo by Ann Sherman.. Photo by Ann Sherman.
  • Floating Tent Tops. Floating Tent Tops, 2020. Ceramic forms with embedded audio narratives, dimensions variable. Photo by Ann Sherman.. Photo by Ann Sherman.
  • Detail, Pup Tents. Detail, Pup Tents, 2020. Ceramic forms with embedded audio narratives and video projection, 52 ½ x 80 x 60 in. (133.35 x 203.2 x 152.4 cm). Photo by Ann Sherman.. Photo by Ann Sherman.
  • White Industrial Tents. White Industrial Tents, 2020. Ceramic forms with embedded audio narratives and video projection, 58 ¼ x 80 x 30 in. (147.96 x 203.2 x 76.2 cm). Photo by Ann Sherman.. Photo by Ann Sherman.
  • Lisa Karrer, Slum with Sewer. Detail, Slum with Sewer, 2020. Ceramic forms with embedded audio narratives, 58 x 82 x 30 in. (147.32 x 208.28 x 76.2 cm). Photo by Ann Sherman.. Photo by Ann Sherman.

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